The Atelier

This is why I retain the freedom to create

The Inspiration

Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party.

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“A really great quote intended to help the reader clarify their goal as a player.”

– Knowledgeable Person

The Evolution

Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party.

The Sound

Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party. Now is the time for all good men to come to the aid of their party.

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Recorded with a high quality portable recorder outside in an open setting at a festival.
This track demonstrates sustain and fullness of tone for jazz singer/songwriter work.

Artist Site – Adrien Moignard

Recorded with a high quality portable recorder inside on a medium sized soundstage.
This track demonstrates sustain and fullness of tone for jazz singer/songwriter work.

Artist Site – Robin Nolan

This recording is a soundboard feed at a large outdoor music festival stage at the Hildesheim Jazz Festival in Germany. He appeared there in 2010 with Ritary Gaguenetti and this past year headlined Hildesheim with his own band, the Romain Vuillemin Quartet.
Romain is amplifying with an ATPro70 microphone. This is the quintessential large festival sound.

Artist Site- Romain Vuillemin

Recorded from the soundboard in a large indoor concert hall. This recording is from the 100th birthday celebration of Django Reinhardt at the Lyon Opera House.
Rocky Gresset and Mathieu Chatelain play Holo Model Nouveau guitars on this recording.

Artist Site – Rocky Gresset
Artist Site – Mathieu Chatelain

Recorded with a portable recorder outside in an open setting.
This track demonstrates the Model Nouveau on acoustic blues. Gonzalo Bergara and Adrien Moignard play Holo Model Nouveau guitars in cedar on this recording.

Artist Site – Gonzalo Bergara
Artist Site – Adrien Moignard

Recorded with a portable recorder outside in an open setting.
This track demonstrates the Model Nouveau in a classic acoustic Hotclub band. Gwen Cahue and Mathieu Chatelain play Holo Model Nouveau guitars in cedar on this recording.

Artist Site – Gwen Cahue
Artist Site – Mathieu Chatelain

Recorded in the WNYC studios in Manhattan, New York
This track demonstrates the Model Nouveau and Model Traditional in an acoustic jazz combo. Stephane Wrembel plays a Holo Model Nouveau in cedar and Roy Williams plays a Holo Traditional Model in spruce after Django’s 1938 640 scale Selmer Petit Bouche Model Jazz.

Artist Site – Stephane Wrembel Quintet